I must admit I came away from the book with the feeling that Meyer was a rather self-involved dilettante. She is self-aware enough to realize this and deals with it in the postscript – principally by saying she doesn’t care what others think of her. I would cautiously recommend it. The stories are interesting but the story teller is not and she does inject herself into the stories and awful lot.
Thursday, September 8, 2016
Good Mourning
Good Mourning by Elizabeth Meyer with Caitlin Moscatello tells the story of one women’s time spent working at a funeral home, a funeral home for the rich in New York City. Meyer, a self-described wealthy, party girl is left lost at the death of her father. Having put together a successful funeral for him she lands a job as a receptionist at the home her family used with the idea of becoming a funeral planner. The book includes stories of a few of the funerals she worked on and the reactions of the people in her life, both her family who can’t see why she is doing this and her co-workers many of whom (understandingly) take a dislike to her as a representative of the type of people who treat those who provide them with service with disdain.
I must admit I came away from the book with the feeling that Meyer was a rather self-involved dilettante. She is self-aware enough to realize this and deals with it in the postscript – principally by saying she doesn’t care what others think of her. I would cautiously recommend it. The stories are interesting but the story teller is not and she does inject herself into the stories and awful lot.
I must admit I came away from the book with the feeling that Meyer was a rather self-involved dilettante. She is self-aware enough to realize this and deals with it in the postscript – principally by saying she doesn’t care what others think of her. I would cautiously recommend it. The stories are interesting but the story teller is not and she does inject herself into the stories and awful lot.